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c. 1445 – May 17, 1510. Italian painter.

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BALDUNG GRIEN, Hans
Hercules and Antaeus

ID: 78797

BALDUNG GRIEN, Hans Hercules and Antaeus
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BALDUNG GRIEN, Hans Hercules and Antaeus


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BALDUNG GRIEN, Hans

German Northern Renaissance Painter and Printmaker, ca.1484-1545  Related Paintings of BALDUNG GRIEN, Hans :. | Witches Sabbath | Mater Dolorosa | Hercules and Antaeus | Rest on the Flight to Egypt | Eve lkioyi |
Related Artists:
HOREMANS, Jan Jozef II
Flemish painter (b. 1714, Antwerpen, d. after 1790, Antwerpen)
Louis de Silvestre
(23 June 1675 - 11 April 1760) was a French portrait and history painter. He was court painter to King Augustus II of Poland, and director of the Royal Academy of Arts in Dresden. Sylvestre was born in Sceaux, south of Paris, the third son of Israel Silvestre, the notable engraver and drawing-master to the Dauphin himself. Louis was taught initially by his father, then trained under Charles Le Brun and Bon Boullogne; he completed his studies in Rome, where he met Carlo Maratta, whose work had a great influence on him. After his return to Paris, Sylvester entered the Royal Academy in 1702 and was appointed professor in 1706.
LELY, Sir Peter
Dutch/English painter (b. 1616, Soest, d. 1680, London Dutch painter, draughtsman and collector, active in England. By a combination of ability and good fortune, he rapidly established himself in mid-17th-century London as the natural successor in portrait painting to Anthony van Dyck. Between van Dyck's death in 1641 and the emergence of William Hogarth in the 1730s, Lely and his successor, Godfrey Kneller, were the leading portrait painters in England. After the restoration of the monarchy in 1660, Lely dominated the artistic scene, and his evocation of the court of Charles II is as potent and enduring as was van Dyck's of the halcyon days before the English Civil War. Although Lely's reputation was seriously damaged by portraits that came from his studio under his name but without much of his participation, his development of an efficient studio practice is of great importance in the history of British portrait painting. The collection of pictures, drawings, prints and sculpture






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